Antiques Column: Let’s dress up and have some fun
I’ve always been a cup half full sort of chap. Occasionally during my many years on this planet, my cup may have dribbled just below it’s half way point, but usually it can be found languishing between halfway and full.
This week however it is overflowing. Easter is here, summertime is here, a hot spell is round the corner, half the adults in the country have been vaccinated and very soon we will be able to socialise once again. Let’s dress up and have some fun, everyone put on your costume jewellery.
Costume jewellery made from non precious materials is often more evocative of its age than precious jewels. Worn since antiquity when the Romans excelled at glass imitation gemstones, this “secondary” jewellery exhibits impeccable craftsmanship and clever use of strong period style at relatively low cost. Costume jewellery sold now usually dates from the late 18th, 19th and 20th centuries and is by and large British or European.
Jewellery set with cut and polished lead glass in imitation of gemstones was first created in France in the 1730s by the jeweller Georges Frederic Stress. This paste jewellery was often cut and backed with foil to give colour and depth and then set in silver .
These jewels were popular in France and Britain and in Spain they were even worn in court. Paste jewellery is very collectable and reasonably priced, although Georgian paste is considerably more valuable than the mid to late Victorian examples.
Pinchbeck, an alloy of copper and zinc, was invented around 1720 by the English watchmaker, Christopher Pinchbeck, as a substitute for gold. It was the perfect partner, as it could be intricately chased, engraved and coloured just like gold work. Later 19th century gilt metal, often wrongly called Pinchbeck, was ideal for cheaper versions of fashionably extravagant jewellery.