Antiques Column with Michael Dowse
Recently a stone chip on my car windscreen, which over the months I had grown to love, broke free and cracked my whole screen. Chatting to the technician who fitted my new windscreen I found he had a passion for glass collecting.
When I explained the irony of this his eyes rolled and I gathered I was not the first. His favourite glass was Mount Washington. Mount Washington was established by William Libbey in 1837 and after moving to New Bedford in 1870 began to produce American art glass for which it was hugely successful. It made some remarkable ranges and patented many types of glass.
One such glass was Burmese glass, with a satin or plush finish. This finish was created by exposing the glass to acid and it is unique in its creamy yellow and peach colourings. The peach colouring comes from a second firing when the base of the piece stays cooler and areas at the top are heated to such an extent that the peach colour reverts back to yellow giving a distinctive two-tone effect.
The creation and recipe of Burmese glass was patented by Mount Washington in 1885 and early pieces are usually very simple. Over 300 hundred shapes were created in the Burmese range and by 1888 the shapes and decoration had become more elaborate. Decoration usually consisted of enamelled or applied patterns.
In 1886 the company patented a very simple glass called ‘Peachblow’, sometimes referred to as Peachskin, which again had an attractive two-tone effect this time in pinks and greys. Unfortunately it never had the commercial success of the Burmese range and was only produced for two years, ironically making it is very collectable today. Art glass of all types is very popular in the salerooms today and Mount Washington ranges should be on everyone's shopping list.